[Linotype] Helvetica Complete Family – over $1953

This typeface was initially released as Neue Haas Grotesk, and was designed in 1957 by Max Miedinger for the Haas’sche Schriftgiesserei (Haas Type Foundry) in Switzerland.

The name was changed to Helvetica (an adaptation of Helvetia, the Latin name for Switzerland) by Walter Cunz when D. Stempel AG, a major stockholder in Haas, reworked the design for Linotype GmbH in Frankfurt, a major stockholder in Stempel. The Mergenthaler Linotype Company in New York, then a major stockholder of Linotype GmbH, adopted the design, and it rapidly became the most popular sanserif in the world, replacing Futura.

Helvetica is designed as a strong central series, with condensed and extended forms and extreme weights adapted and added later, a system which suited Linotype mechanical limitations and marketing philosophy, but which resulted in a family of weights that were not as well coordinated as they might have been.

Linotype’s limited licensing forced a large number of unauthorized copies of Helvetica, none of which may be viewed as an improvement.

This typeface, designed by Max Miedinger and other project members at the Haas’sche Schriftgiesserei, has become one of the most famous and popular typefaces in the world, thanks to the marketing strategy of Stempel and Linotype. It forms an integral part of many printers and operating systems. The original letterforms of Helvetica had to be modified for the Linotype system. Over the years, Helvetica was expanded to include many different weights, but these were not coordinated with each other.

In 1983, D. Stempel AG redesigned and digitized the “Neue Helvetica” typeface for Linotype and made it a self-contained font family. Today, this family consists of 51 different font weights.

The original numbering system for the weight designations came from the numbering of the Univers font. The basic font weight, “Helvetica roman”, is at the heart of this numbering system. The designation “55 roman” forms the central point. The first figure of the number describes the stroke thickness: 25 ultra light to 95 extra black. The second figure gives information on the width and orientation of the font: Helvetica 53 extended to Helvetica 57 condensed.

The Neue Helvetica sets new standards in terms of its form and number of variants. It is the quintessential sans serif font, timeless and neutral, and can be used for all types of communication.

This typeface, designed by Max Miedinger and other project members at the Haas’sche Schriftgiesserei, has become one of the most famous and popular typefaces in the world, thanks to the marketing strategy of Stempel and Linotype. It forms an integral part of many printers and operating systems. The original letterforms of Helvetica had to be modified for the Linotype system. Over the years, Helvetica was expanded to include many different weights, but these were not coordinated with each other.

In 1983, D. Stempel AG redesigned and digitized the “Neue Helvetica” typeface for Linotype and made it a self-contained font family. Today, this family consists of 51 different font weights.

The original numbering system for the weight designations came from the numbering of the Univers font. The basic font weight, “Helvetica roman”, is at the heart of this numbering system. The designation “55 roman” forms the central point. The first figure of the number describes the stroke thickness: 25 ultra light to 95 extra black. The second figure gives information on the width and orientation of the font: Helvetica 53 extended to Helvetica 57 condensed.

The Neue Helvetica sets new standards in terms of its form and number of variants. It is the quintessential sans serif font, timeless and neutral, and can be used for all types of communication.

Family: Helvetica Neue LT Com

Designers: Edouard Hoffmann, Max Miedinger

Debut: Apr 1, 2007

Pack: 51 fonts – Buy Now!